Search results for "Roman portrait"
showing 3 items of 3 documents
Statue ritratto "ideali" a Gortina
2018
The paper deals with the category of the “statua - rischen Idealporträts”, treating the few specimens until now recognizable within the large corpus of Roman sculptures collected in the city of Gortyn at Crete. A high-quality example of Hadrianic age was found by Prof. Antonino Di Vita, head of the large scale excavations in the site, during the 1988–1990 field season in the area NW of the “Praetorium”, adjoining the Caput aquae of the Roman aqueduct. Beside this spectacular find, two acephalous torsos of the “Diomedes” type are suitable to have been used for portrait statues, most probably for a couple of emperors. These latter are old surface finds in an area (W of the theatre near the Py…
Una statua togata di retore (?) da Alesa
2017
Il contributo prende in esame una statua togata rinvenuta nel sito di Halaesa prima dell'avvio delle indagini scientifiche e ne effettua una ricontestualizzazione, sulla base dell'analisi dell'iconografia, dello stile e dei dati antiquari, nell'alveo della ritrattistica medioimperiale. Viene vagliata e ammessa la possibilità del collegamento con la dedica di un'effigie onoraria per un retore, rinvenuta nell'agorà di Halaesa. The paper examines a togated statue found on the site of Halaesa before the start of scientific investigations and carries out a re-contextualization, on the basis of the analysis of iconography, style and antiquarian data, in the bed of middle-imperial portraiture. The…
Drusilla sacerdos o diva nella Colonia Augusta Himereorum Thermitanorum?
2018
Among the sculptures of the Museo Civico of Termini Imerese that were published by Nicola Bonacasa in 1960, a female portrait head of a Julio-Claudian princess is remarkable for its excellent workmanship. The paper deals with the problem of the identification of the subject, variously referred to as Agrippina I, Agrippina II, Messalina or Drusilla, according to the interpretation of the portrait series “Glyptothek of Munich 316- Caere” to which the head belongs. The comparanda, some iconographic details giving a certain aura of sanctity to the subject, and the very strong physiognomical resemblance with the likenesses of Caligula confirm the hypothesis that the woman portrayed in the head f…